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The St. Lawrence
Arts & Community Center is owned and operated by the non-profit corporation Friends
of the St. Lawrence Church, a 501(c)(3) tax exempt organization created in 1996
to restore the historic St. Lawrence Church and return it to use to its community.
The Friends of the St. Lawrence Church has a 3-part mission: - Arts
and Culture: creating an affordable and accessible venue for diverse offerings
of performance arts - theater, dance, music, film, meetings and workshops;
- Neighborhood
and Community: adding activity, entertainment, cultural enrichment, social
interaction, renovation and investment that serve both the surrounding low-income
neighborhood of Munjoy Hill as well as the residents of Greater Portland.
- Historic
Preservation: rehabilitating this local and national landmark with the
adaptive reuse of an arts and community center.
The Friends of the
St. Lawrence Church has a nine member board of directors, a capital campaign steering
committee and a full and part-time staff. Starting at its creation in 1996, the
organization raised $1.5 million and renovated half of the building, opening the
110-seat Parish Hall Theater in May, 2001 (Phase I). The St. Lawrence manages
the theater house and rents the facility to artists and production companies.
The yearly operating budget of approximately $170,000 is supported fully by revenues
from the theater operation and unrestricted fundraising (annual fund, etc.). The
capital campaign steering committee has currently developed an estimate of $5.2
million to complete Phase II of the renovation project, the renovation of the
Sanctuary half of the building into an auditorium seating approximately 400. The
Building The St. Lawrence Church was built in 1897 by its congregation
who lived in the neighborhood blocks surrounding the building, creating a place
for community involvement from the very beginning. Built in the Romanesque Queen
Anne style with fanciful architectural features such as turrets and a belfry,
the granite and slate building has long been admired for its beauty and was listed
as a national landmark in the National Register of Historic Places in 1979 and
as a local landmark by the City of Portland in 1990. Its original congregation
dwindled and went extinct, closing the church’s doors in 1986. Water damage and
neglect were taking their toll and the city was close to condemning the St. Lawrence
when the Friends of the St. Lawrence Church finally purchased the deteriorating
historic structure in 1997. The interior of the St. Lawrence is no less
impressive than its exterior for its functionality as well as beauty. Although
more austere than the ornate exterior, the interior is decorated with wood wainscoting,
two tiers of stained glass windows and high, wooden ceilings. The building splits
into two halves – the Parish Hall and the Sanctuary. The Sanctuary is more grand
with 40 foot vaulted ceilings, raked (sloped) floor and circular pews seating
400 radiating like an amphitheater from the altar. Even in its dilapidated state
the room never fails to impress, not only with its grandeur but with its obvious
potential. The 110-seat Parish Hall Theater, while not as grand, has been serving
the artistic community since May 2001 with its accessibility, affordability and
intimacy lauded by performers and audiences alike. The
Neighborhood and Community The St. Lawrence Church is located in the
middle of the dense, low-income residential neighborhood of Munjoy Hill in Portland,
Maine, taking up an entire city block. As were many churches before television,
the St. Lawrence was the social focus of the neighborhood, hosting scout troops,
Saturday matinees, public suppers and amateur theater. The building’s decline
physically affected the entire neighborhood, which was also in a blighted state,
and the subsequent St. Lawrence Rehabilitation have been accompanied by a broader,
neighborhood-wide revitalization. Still, the neighborhood is low-income and far
removed from the arts district – it was a challenge to gain support from traditional
sources and most of the donations, numbering in the thousands, have come from
people of lesser means. Many of today’s patrons still come from the neighborhood
and walk to performances and local activities such as neighborhood meetings, city
planning workshops and school plays produced by nearby Adams Elementary School.
A Community Building Model: A Sum Worth More Than Its Parts
The sum of the St. Lawrence Restoration Project is larger than any of its three
parts – it is more than just fixing an historic building, doing work in a neighborhood
or building a theater space. The St. Lawrence Project creates a mutually dependent
model by which these disparate social needs and interests support each other.
The arts and community center gives the obsolete historic landmark a constructive
and economically viable use while in turn the restored structure provides an aesthetically
pleasing and affordable venue perfect for artistic expression. This model is designed
to be long-term and self-perpetuating. The initial capital investment in historic
preservation goes on to support the arts in providing not only an affordable artistic
venue, but also an income-producing asset as theater revenues currently cover
a large percentage of the St. Lawrence organizational expenses. This capital investment
subsidizes the theater operation and makes it possible for the St. Lawrence to
realistically offer the venue at affordable rates and to a diverse collection
of artists and performers for well into the future. St.
Lawrence Board Executive Director Deirdre Nice
Theater Manager Elizabeth McMahon Board of Directors
Alex Jaegerman, President Glenn Morin, CPA, Treasurer Brian Allen Joe
Delaney, Arch. Jennifer Hutchins Guy Gaudette, CPA Christopher Akerlind Sarah
Skillin Woodard |